Thursday, September 18, 2014

interview with Ann Marie Gardner from MODERN FARMER

MODERN FARMER always has a cute animal on the cover. It focusses on farming, food, sustainability. During World Food Day on October 16th, founder and editor Ann Marie Gardner will be in town and speak at the Eat This event. We had some questions for her.

Why did you start the magazine and where are you based? Are you a farmer yourself?
At the time I had the idea for Modern Farmer, I was based near Hudson (I live in Germantown, a smaller town right outside of Hudson, on the Hudson River) - but I was travelling a lot to London and all over the world reporting for Monocle(I was a founding editor there). I'm not a farmer but I'm probably what you'd call a 'Modern Farmer' I care about where my food comes from and want to be a thoughtful consumer, sustainable, energy saving and have a minimum footprint and I really love animals so issues like food waste really get up my nose! I don't see the point of an animal being killed or giving it's life just so we can throw that food away. 

The animals on the covers of Modern Farmer almost look human, they are true cover models. How did you come up with this idea?

They really are cover models aren't they? I love the way they really look at you and have attitude! I always wanted to celebrate the animal - and make them the stars of Modern Farmer! Everyone in the industry of course said no, you will never sell a magazine without a person on the cover. I'm happy to say we've proven them wrong!! 

Which magazines do you read lately and which ones inspired you?

I love I-D, Dezeen, The Gentlewoman, Appartamento and Fool(from Sweden) and Fantastic Man and I love World of Interiors. I just started reading Porter, a great new fashion mag. And I never miss the New Yorker (although I admit, I'm a few issues behind!). Of course I have been and continue to be inspired by Tyler Brule and Monocle. I'm really looking forward to coming to Holland so I can discover new Dutch design magazines. Do you recommend any?

Frame and Mark are good ones, as well as the independent Works That Work from The Hague.
Do you consider Modern Farmer an independent magazine?

Yes, definitely it's an independent magazine because we are not part of a large publisher. We are doing it all on our own. 

What’s the best thing about editing a magazine?

The constant flow of ideas keeps your head sharp and focused. Also, working with a team and creating stories that you can then represent visually. I can't think of a job that could be more fun than this. The creative process, and then what's great about having an online and social media component is you hear from people in real time. You get feedback and have conversations. That's pretty great.

Wednesday, September 17, 2014

FUKT #13: leader in contemporary drawing

Many magazines make extensive use of illustration in the last few years. Little White Lies, Boneshaker, Hot Rum Cow, The Ride all have more drawings than pictures. There are also a few good magazines that cover the landscape of contemporary illustration: Wrap, Limner, Collection.
But really the best in these titles is the very popular FUKT Magazine from Norway, currently based in Berlin.

It is released just once a year, usually somewhere in September. The magazine covers illustrators and their work, shows many different styles and techniques. It changes it's size with every issue and the just released 13th issue is smaller than the previous issue but counts more than 200 pages.

FUKT #13 2014 Teaser from Ariane Spanier on Vimeo.

Saturday, September 13, 2014

HA WAN PAO #8: the friendly paper

A new title from Hong Kong: HA WAN PAO, The Friendly Paper. Thin, light blue paper and darker blue ink. It's a beautiful and fragile print about craft.

"a paper about people who make beautiful things published in Hong Kong by Anna Gleeson. The name refers to the old name for Wan Chai, the neighbourhood where the project was born."

Friday, September 12, 2014

Wednesday, September 3, 2014

Dutch edition HARPER'S BAZAAR is a big succes

The Dutch edition of Harper's Bazaar is a big succes. It was launched last week. It was featured in the news, watch the video below for some glimpses of our store.

Sunday, August 31, 2014

interview with David Jenkins from LITTLE WHITE LIES

LITTLE WHITE LIES is a great movie magazine, we’re always excited when a new issue comes to the store. The new one is almost out. We talked to editor David Jenkins.

Where is the magazine based and is editing it your full time job?

Our offices are based in Shoreditch in East London, a location often chided by outsiders as being full of pretentious artschool burn-outs, but is actually totally normal if you spend a bit of time there. I edit Little White Lies, and have done (at time of writing) for just over a year. I love writing about movies, so I try to do as much of that as possible.

You call yourself a magazine about “Truth & Movies”. Why truth?

I guess for two reasons: one because it alludes to the fact that we always try to be honest when we're talking about movies. And honesty breeds passion and sincerity. When we talk about films, we try to do so in a very objective way Рso it's that old clich̩ of every film has the potential to be a masterpiece before you've seen it. And it also has the potential to be terrible, which is most often the case. I think our Truth & Movies tagline also offers a little ironic counterpoint to the fact that we're called Little White Lies, were anyone inclined to take the title too literally.

Why do you use so many illustrations in the magazine?

Because that's part of the magazine's DNA – what it essentially is. And it gives us a reason to exist, also. There are many fine, quality movie magazines out there which use press photography to illustrate the editorial, so we just want to explore movies in a way which is different and makes LWLies… if not "stand out" from the pack, then not overlap with the formulas used by those existing titles. I also think that movies are pieces of art that take years to make, so why shouldn't we create a magazine which amply reflects all that time, energy, creativity and skill?

You are about to publish a book on movies, what is the difference for you between editing a book or a magazine?

I must say I find both super difficult. I think with doing the magazine, we have total creative control over it and we can pretty much run whatever we want, however we want. But with our book, What I Love About Movies, because this was in collaboration with Faber & Faber, other considerations have to be taken as to how it will be received by the public. However, I must say that our editor at Faber, Walter Donahue, was and is an absolute delight had total faith that we'd produce something vaguely workable. Whether we achieved that is something you'd have to ask him.

Which magazines do you read? Which ones inspired you?

Movies are my main passion so the magazines I tend to read include Sight & Sound, CinemaScope, Film Comment, things like that… Places where I can find rich editorials about film. Although I have ideas about and appreciation for design, I tend to leave that part of the magazine to our creative director, Timba Smits. He has that base well and truly covered.

LWL is loved in our store for the strong covers, how do you decide what the cover will be?

It's not a very exact science at all. We go and see movies, we see one we like, we decide we want to make a magazine about it. End of. No, but we obviously do consider whether there is design potential for each film, but even when nothing instantly reveals itself, our designers love the challenge of creating these visual templates and perhaps trying to present the movie in a way which is slightly alternative to how it's being presented elsewhere. For instance, Richard Linklater's Boyhood is a movie which is shot in a way which is very conventional and doesn't have any special effects or sub-themes which lend themselves to an obvious over-arching design style. But it was thought the film worked a bit like a graphic novel splayed out on the big screen, so we decided to go with that.

Do you think you will keep publishing LWL in print or do you also consider to publish exclusively online?

LWLies could only exist as a print product, as that's essentially what it is. It's not just the words and the pictures, it's the smell, the feel of the paper, the satisfaction of having them stacked together on a shelf. Unless holograms get really big really soon, there's no way LWLies will be migrating solely to an online platform. The very nature of the internet doesn't yet cater for the things that make our magazine a magazine and not a website. And yet, the publishing world is constantly going through radical changes, so you never know what might happen. I don't like to speculate but, random disasters aside, I think the mag will be around for some time yet... *crosses fingers and toes*

Did you see Maps to the Stars by Cronenberg yet? What did you think?

Not only have we seen it, we've made an entire issue of the magazine based on it. Issue 55, should be with you soon. Very proud of this issue.

Thursday, August 28, 2014


The Pitchfork Review is now 3 issues old and proves to be a strong, thick magazine about music and indie music. After publishing online about music for 17 years they went into print succesfully.

"The primary reason was for a love of the craft of both meaningful music journalism and printed matter. These days, we're used to music media equating with immediacy, but there is still a place for timeless opinions and ideas on the sounds and artists which we cherish. And we believe that this type of publication is the ideal environment for some of those pieces", creative director Michael Renaud told us when the first issue came out.

We have the Spring and Summer issues in stock at the moment, nice new addition is that they now include a 7” single in the back of the magazine. The Spring issue has a track by Kurt Vile and The Lovetones and a track by Watery Love. The Summer issue has a 7” with two tracks by The Lentils.

Also in the new issues: Christian Storm curated a series of photo’s of fans at gigs and concerts, an extended article on singer songwriter Elliot Smith, the soulful sounds of Joe Tex, bookreviews, guitarist John Fahey, Mike Power re-examines the Sung Tongs record by Animal Collective.

An overview of Kate Bush’s carreer, a large photo coverage of Matthew Barney’s latest film River of Fundament, the art and music of Bill Callahan and a retrospective on Outkast.